I’ve been working on a new project called The Grantidote. Last week it took me west, to where I come from.
The Grantidote’s centering women, pausing to understand how a woman’s wholeness is made up of fragments big and small, some chosen, others delivered by circumstance.
The Grantidote’s about acknowledging the marks women leave on our world. I believe by fully registering women’s impact we begin to rectify an error that’s made how we organise, experience and understand humanity feel ill-fitting and wrong.
Toxic masculinity needn’t control the whole narrative, after all.
Hop on my hashtags too, won’t you? #52and40, Instagram and #TheGrantidote
A friend took me to The Talbot Rice Gallery in Edinburgh recently. As an art academic and fellow ardent avoider of bullshit, she’s a joy to exhibition with; nips off at speed, buzzing back intermittently with jewels of information about whatever’s caught my eye; non-plussed about my mistaking statues of all short-haired blokes holding scrolls for another Burns.
As well as my pal, my favourites on the day were Jessica Harrison’s Painted Ladies; the movement in those skirts whisked me back to making an ornament of my Granny’s dance on a windowsill.
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Things I didn’t know last month;
- There are jellyfish all round the coast of Denmark – my husband got stung every other summer as a kid playing in the viking sea.
- The Glasgow Gallery of Modern Art was originally built as a mansion for William Cunninghame in 1778, for £10,000. Cunninghame was a Tobacco Lord who benefited hugely from trade winds, the hideousness of the triangular slave trade and the connections of his prosperous merchant family.
- For the worse or better, it only takes two people to start a movement.
Read more about #52and40 here.
Everyone’s a tourist, up Calton Hill. You can see in all directions and take in the various curiosities providing perfect photography props.
You can grab coffee and cake then wander through art.
I was reminded of Berlin, up Calton Hill. Different accents, space for everyone; no tension between worker bees and butterflies. The National Monument, our memorial to lives lost in the Napoleonic Wars, stands in its long since abandoned state of grace as people climb up it to smile and laugh for iconic photos and memories.
History & modernity at a peace.
Read more about #52and40 here.
When I’m actively writing I immerse myself in whatever art and humanity I can find. I talk lots. I fill up with music to wallop my right hemisphere. Notably, for mid-project fuel, I rarely read.
I do a thing with accents and writing; I unconsciously temporarily meld with whoever’s engaging me. It’s a chameleon-like habit since childhood – we moved a bit and Scots accents vary a lot. Maybe I’ll develop immunity as my writing voice gets clearer?
For now, I remain, the worst read and most accidentally ambiguously accented writer in Scotland.
This week’s photographs were taken in and around the beautiful garden at Oxgangs Neighbourhood Centre. Curious about #52and40? Read more here.