52and40/40 No Brief Candle


Burning out and burning bright, my family’s in a Change Rocket, hurtling through spacetime, much outside too blurred to see.

I’ve known for years that when the kids started talking futures I’d have to already be in my next chapter, lest I helicopter-parent or self-destruct.

I’ve also seen as the kids mature they need, more than ever, emergency contacts ready for triage as well as strategy.  Sometimes that’s rotated over weeks.  Other times, it’s all in one afternoon.

The current combination’s a tall order.  It’s temporary, too.  Calm will follow.

Memories, too.





Read more about #52and40 here



If you like my soapbox moments or share my passions, grab a coffee or a gin and get comfy as you’ve happened upon my read me here update and it’d be great to have your comments along the way.


Firstly, I’ve written as a guest blogger on The History Girls Frae Scotland recently.   I can pretty much guarantee you’ll love The History Girls Frae Scotland site for all its content, best described by themselves as ‘History, Heritage and Hilarity’, it’s a total delight.  The post I’ve written for them is about why, pushed by modern and historical politics, I came to create the website and online community I run called The Grantidote.

TheGrantidoteTrioThe Grantidote is a collection  of real women’s stories from people’s knowledge of grandmothers and other women who impacted their lives.  The Grantidote’s purpose is to create an intervention to a male-centric society in which toxic masculinity’s been normalised.  This may sound like heavy work but the reality’s different – it’s a pleasure and change never felt so accessible to me than through this simple but profound portal.  If you think you’ve a story about a woman to tell with me for this important archive, regardless of your gender, please get in touch.  Contributions can be little or large and I’m interested in getting graphic storytelling and spoken word included too.  Basically, the door’s wide open and the mood’s uber welcoming.  Dive in!

Second up, I was recently interviewed by Jane Woods for Changing People.  Changing People works with businesses and individuals to address gender imbalances in workplaces.  As someone who doesn’t have a career, this chat was terrifying and affirming and had me thinking so much about the discomfort and inadequacy I’ve felt over the years about the informality of my work.  My insecurities here are informed by quite extreme anxiety about money and security dating back to my teens, compounded by adult experiences with post-natal depression.  It was therapeutic to be able to step back from anxiety about my identity and see a bigger story I’m tentatively proud to call my own.

Third and last (and really joyfully) apart from a wee bit of novel writing and nurturing short stories and poems for competitions, I’ve also created spoken word content for Fearless Femme, a frankly brilliant new social enterprise based out of Edinburgh.  Fearless Femme will be providing, ‘a membership community where young women dealing with emotional and psychological challenges can connect with one another, and an online magazine that provides a wealth of advice and inspiration on improving one’s mental health.’  I mean, could it be more my thang if it tried?!?!  Watch this space for brilliant badassery kicking off in early 2018.


52and40/33 Feel The Burn


How is it October?  And 2017?  And, bloody hell, I’m 41.  Anxiety’s  a tide inside my flesh.  What if I don’t have time to do it all, whatever else ‘it’ might be?  Then, eight hours later, zen.

My five nights on Raasay were wonderful.  Even the fall into a wide burn as if it were a bathtub was brilliant.  I attempted a swing from a tree branch to cross the water and, well, the rest is history – especially the branch.  It was a moment time did slow though, so, beautiful in it’s own way…






Pouncing Pressure, Hidden Hijack

I’ve been re-listening to Elizabeth Gilbert’s Magic Lessons Podcasts this week, to ready me for five nights away on my own to catch up on writing my novel a little, with the novelty of no interruptions.  The thought of the time away is really a big deal when you’re a woman, a mother and a writer who works at home.  The first, second and last descriptors there are, in my experience, extremely difficult to manage alongside the act of writing a big piece rather than dipping in and out of smaller ones.  An excellent article in Harper’s Bazaar covers the issues I’m nodding at here and I suggest anyone navigating an unapologetically modern relationship or considering the messages they’re giving younger generations about gender roles reads the piece for comfort and fire-stoking.  It’s an absolute cracker.

But back to the Magic Lessons.  Every single episode feels freshly relevant.  Yesterday I did my own version of a homework task Gilbert sets a podcast guest in order to help balance an internal dialogue which often poleaxed ambition.  You can listen to the podcast here.  Reflecting on the task of stepping aside from the locked mind to exchange letters with both Fear and Curiosity, I was prompted to shine a light on my own fears because they’re currently presenting the biggest hurdle to productivity during my time away.

As a sidenote, a horrible irony here is that I really didn’t feel the weight of these fears until I booked some time away.  The act of booking the time, hell, the audaciousness of booking the time in some folks’ eyes, set off an epic domino chain in my head about pressure.  I didn’t realise the domino chain was happening until it was halfway through and heading towards an elaborate helter-skelter set of turns before stretching into middle distance further than my terrified eyes could see.  Think the domino chain in Collateral Beauty scaled up by a hundred and you’re there.dchtbc 2016 1

In a nutshell, the pressure-fear, wee darling that it is, has pretty much been whispering  self-loathing into my lugholes since I got my Airbnb e-receipt.  Here’s a fragment for your delectation;

‘Five nights away, huh?  That’s brave.  Or stupid.  Especially as you’ve had some really shit feedback on the novel recently.  Do you not think if you were going to have finished the novel you’d have done it by now?  I mean, you don’t even really have a good story, do you?  And you keep changing direction.  And you’re still not doing it the way you want it to, are you?  Because that way is shit and you know it. Your blindspot’s massive.  But yeah.  Have a great week away.’

Swim, swim, swimming I went.  Swimming into a pool of mindcrap.

That’s the thing about creativity.  It makes light and dark and balance must be imposed.

Despite the mindcrap, there was another voice in my head, quite possibly it’s the voice of leftover drugs from my teens but I guess that’s valid too.

The other voice says go and write.  And go and enjoy.  And lighten up, sweetheart.  You’re doing great.  Oh, and, most importantly….?  For the love of fuck write the book you want, the way you want it written, because evidently you care so much more about that than anyone else’s feedback.  How do I know that?  I know that because when you think about the book you want to write, you smile.  And that’s the thing.  Write a smiling book that you one-day-kinda-soon finish and to fuck with whether it ever gets published, read or respected by anyone else.  It’s either that or you’re carrying that baby everywhere while you try to write one that your heart isn’t in and one day realising the one you love isn’t there anymore – it just turned to regret.  It waited too long.

Writing that, I can hear the other voice more clearly.  It doesn’t belong to 16 year old me at a rave in Arbroath on MDMA.  It belongs to me AND Liz Gilbert, one of the woman in the USA right now making the world a better place against all the odds.  I dare say she’s scared and brave all at the same time.  How inspiring.



52and40/29 Realignment


I’ve been waking for weeks feeling badly misaligned.  We had builders in, next door have builders in, two houses adjacent had builders in.  With all the banging, shouting and stress there’s been little chance for creativity; each time I transported to inner space interruptions brought me clattering back.  In parallel, feeling predated a notch too far when I moved around in workout clothes for running and yoga, I switched to just walking.

Muted, twice over, my connections to peace.

‘Sad’, as the predator in chief himself would say.

Fuck that.  Comeback time.







Read all about #52and40 here.


52and40/25 Regenerative Circuits



The hardest bit of writing for me isn’t finding ideas or receiving rejections. Both of those are plentiful for me at this stage.  Both of those are great teachers too – to be appreciated and understood just as the nice, easy bits are.


For me, the hardest bit’s waiting for feedback.  The no-woman’s land of yay or nay.

The Isle of Maybe.

I’m a feedback junkie – reacting to feedback is my fuel for the next thing.

I guess I need to cultivate a better relationship with my own feedback, for the between bits.



More on #52and40 here.


52and40/23 The Selfsame Well


A friend died recently.  She was my writing teacher first (and my first writing teacher).

I can trace roads from everything I’ve had published in the last two years to Helen, her guidance at every way-marker.  Even with this map I’m disorientated; floundering in comprehending such a special woman being gone.


In grief, all roads lead inevitably to my Mum.  Every funeral a little her funeral, too.  Profound losses only comforted by the extreme gratitude for having shared some of the world with extraordinary people’s smiles and stories.

Joy and sorrow, innit?


Read all about #52and40 here.